Wednesday, August 12, 2015

Sandwich Glass Museum


I was out on Cape Cod for the weekend earlier this month, and had a chance to visit the Sandwich Glass Museum. The Boston and Sandwich Glass Company (1825-1904, in various incarnations) is a bit outside of the scope of this blog, and outside of my own core antique glass competencies, but the museum was impressive and seemed worthy of a post.

Three mold decanters, hat-shaped salt cellars and more. Yes, there is apparently period documentation indicating that glass hat "whimseys," at least the Sandwich ones, were originally intended to hold table salt.
Almost all of the output from Boston and Sandwich was lead glass (a.k.a. flint glass or crystal), made with very pure silica sand imported from New Jersey, New York and the Berkshires in Western Massachusetts. This recipe yielded a clear, perfectly colorless glass, that was used as-is to make some items, but frequently doped with metal salts to create a range of artificial colors. The Museum included an entertaining display with audio and some animatronic elements to explain the process of making colored glass.

Classic Sandwich Glass cologne bottles, bear-shaped pomade jars and whale oil lamps. Note the wooden pattern used to create the metal mold for a paneled cologne bottle, at upper left.

A case full of Sandwich paperweights, including some leftover glass flower parts that were never embedded.

Refined and delicate threaded glass tableware.

An imposing window display of larger Sandwich Glass items, including celery vases, lamps, bowls and candlesticks.

Shards excavated at the factory site, with interpretive signs matching them to extant antique glassware.

That's me working the press at the glassmaking demonstration area.
In addition to extensive displays of antique glass, a modern glass gallery, and special exhibits on various aspects of the workings of the glass factory at Sandwich, the Museum also has a functioning furnace for glass blowing. The gas-fired furnace is run continuously for years at a time, as it takes weeks to come up to temperature if it is shut down for maintenance. There is a single pot of glass inside, which the staff used to make a whimsey, a free blown tumbler and a pressed glass plate, all formed using traditional tools and techniques.

The Sandwich Glass Museum is a really impressive and informative source of information on nineteenth century glassmaking in Massachusetts. At some point in the future, I would hope that the Museum of Connecticut Glass could be developed to a similar level of excellence.


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